Make it sound like this.
Give it a record you love. The master is aimed at its tone and loudness.
♫ reference.wavThe record
DINE for Bands
Every show, recorded and mixed.
Every input to its own WAV, a front-of-house mix that fits your genre, and a multitrack in your pocket when you load out.
For Mac. Free for 14 days, then $39.99 a month or $249 once.
What a night on the road asks.
No engineer who knows your songs.
Most rooms give you a house engineer and a short soundcheck. They’ve never heard you before.
A different room every night.
A club on Friday, an outdoor stage on Saturday. What worked last night won’t work tonight.
The recording is an afterthought.
A lopsided board mix, or a multitrack nobody remembered to arm.
Mixed for how you sound.
Rock Band keeps the kit level with the voices and the guitars carrying the song. R&B and Hip-Hop, and Jazz and Acoustic, are one click away. TUNE MIX follows the profile you pick.
SOUND PROFILE
Rock Band
The kit sits level with the voices. Guitars carry the song. Everything a little denser and more driven, and the room kept small.
Drums that hit the same every night.
Blend a sample under the kick, snare and toms. The mic is never delayed, nothing on the channel adds latency, and bleed from the rest of the kit is held back.
Make it sound like your record.
Give DINE a finished track of yours and it aims the master’s tone and loudness at it.
Every move, written down.
Run TUNE MIX during line check. Every change comes with a sentence saying what and why. Keep it, revert it, or overrule one line.
TUNE MIX is ready
Heard 14 inputs, proposed 22 settings and 9 levels. The lead now sits over the band.
Lead up 1.5 dB+1.5 dB
She sat under the band in the chorus.
Keys down 2 dB−2.0 dB
They covered the lead between 1 and 3 kHz.
Drums group: 2:1, 3 dB of control2:1
The kit jumped 8 dB between verse and chorus.
Plate on the vocals, 1.6 s1.6 s
Timed to the song at 72 BPM.
Master trim −1.2 dB−1.2 dB
Lands the mix on −23 LUFS.
Pastor is faint at the deskLOW
Turn input 14 up about 6 dB. DINE did not raise it.
Review in the InspectorTry another mixRevertKeep
Check a mic without the crowd hearing.
Solo goes to your headphones on its own bus. The PA and the stream keep the mix.
Hear a band.
A four-piece rock band, raw from the stage, then after one TUNE MIX on the Rock Band profile.
0:00 / 0:00
−23.0LUFS, where the master landed
38decisions, each one a sentence
30 sof listening to build it
0faders touched by hand
See every decision it made ›Headphones recommended.
Unedited: one TUNE MIX, no manual changes afterwards. Both sides are matched for loudness.
Become a founding partner.
We’re working closely with a few bands and artists this season. You get DINE, direct access to us, and a say in what we build next.
Questions
Can I use it with the venue’s console?
If the console or stage box can send its channels to your Mac over USB or network audio, DINE can record and mix them.
Can I bring the multitrack into my studio DAW later?
Yes. Every input is a plain WAV file in a session folder, so any DAW that imports WAV can open the night.
Can I record while the house engineer runs the PA?
Yes. Take a split of the channels to your Mac and DINE records every input while the house desk does the room. Solo and auditions stay in your headphones.
Ready by soundcheck.
Hear a band above. Then run TUNE MIX at your next soundcheck.